Once more, these additions to the outfit would be more common in an upper class individual or person at court than the average Englishman Kosir. Henry Wriothesley, 3rd Earl of Southhamptam Children Children in Renaissance England were considered simply small adults, and their dress reflected this.
Children were dressed in clothing very similar to their parents, and both young boys and girls wore dresses during infancy and toddlerhood. For young boys, this aided the mother in toilet training and care giving. When boys were old enough usually around the age of seven, when they could start helping their fathers they were "breeched," or put into their first pair of breeches, or hose.
This practice continued up until the 19th century in the Western World, and portraiture of young children is often difficult to gender without tell-tale props such as swords or hats. An example of the daughter's clothing mirroring the mother's, c.
The term sumptuary refers to the sumptuousness, or the excesses clothing. Sumptuary restrictions were not new to the English monarchy or people. Henry VIII's first Parliament met in January and passed a sumptuary law which took a great deal from earlier acts in and The acts passed during the Elizabethan reign build further on her father's act, but share many qualities.
Under Henry, colors and cloths were restricted by class, it allowed for the fining of offenders, and also concerned itself not just with men's apparel but women's as well. Henry and his parliament continued to amend and strengthen these laws, focusing on the penalties imposed, further restrictions on fabrics and fabric length, and continuing to allow the King to make special license for those he saw fit Hooper Elizabeth, upon taking the throne, further stipulated what could be worn and by whom.
She first set orders to ensure the earlier acts were followed. A proclamation dated October 21 put the responsibility of ensuring these laws were enforced in the hands of magistrates and men of power. A letter was then sent to the City corporation, urging the passing of this proclamation, and suggesting two watchers per parish be posted to carry out this task Later, again in response to what Elizabeth I termed "the excess of apparel and the superfluity of unnecessary foreign wares" that were believed to cause serious problems for the realm, a series of statues were put into effect, including the largest on June 15, Hooper The final statue was the most detailed, and specifically listed fabrics, colors, and designs and very explicitly designated the wearing of them to particular nobles.
The most explicit purpose was to address the problem of up and coming young gentlemen and nobles, who in the effort to look their best and wear the best materials available, would spend over their means. This was not only a problem for their families, but the monarchy, as this money could be better spent towards goods that were of better use to the nation.
It was also vitally important in a strictly class-based and class-segregated society like Tudor England that people dressed according to the standards of their own class and gender.
A class system does not work efficiently if one cannot tell to which class a person belongs, and blurring of class lines takes some of the meaning away from higher positions. This clear distinction between groups is also necessary to curb attempts at upward mobility by the emerging middle class of merchants, and to maintain social conformity and etiquette, which Elizabeth strongly favored.
Additionally, these laws curbed the influx of unnecessary foreign goods, in an effort to support English commerce During Henry's reign, the Act for Reformation of Excesse in Apparayle had a fine of 3 shillings and 4 pence for every day of the offense This was not an astronomical fine, but it can be imagined it would be a strain on a member of the working classes.
Those employing servants who had violated the restrictions could face a large fine as well for not releasing the servant from his employment or hiring him again. For added warmth a woman could wear a petticoat. For the men, their basic outfit is a shirt similar to our dress shirts today, only difference is in the collar and cuffs.
The collar and cuffs would instead be made out of lace. Over this shirt would be a doublet, which is a fitted top, followed up with a jerkin, that is a tight-fitting jacket. Its very common for men in the lower class to wear only the shirt without the doublet, and jerkin for more functionality. They would wear coifs, also called biggins.
Young boys were dressed this way to assist in toilet training and care giving. When boys were old enough usually around the age of seven, when they could start helping their fathers they were put into their first pair of breeches, or hose. Although portions of the costume, such as a hat or shoes, may be purchased, we want you to exercise some creativity by making significant portions of the costume. Have fun with this! Since specific Renaissance styles varied according to country and the specific period of the Renaissance era, you will see this reflected throughout the Central Coast Renaissance Festival.
Now what should you wear when attending a Renaissance Faire? You actually can wear anything you like, costumes are not required or even necessary to have fun.
But if you would like to dress up, by all means do so! With these general guidelines, you should be able to start looking for your perfect costume. Head over to our Costume Shop on this site. You must be logged in to post a comment. This site uses Akismet to reduce spam. Learn how your comment data is processed.
May 24, Articles , Costumes No Comments. So how did English people dress during the Renaissance? We recommend reading Elizabethan Costuming For The Years — and Historic English Costumes and How to Make Them Most women dressed in multiple layers, with the wealthiest women wearing as many as five layers of clothing.
Sleeve styles evolved during the period, with the funnel or trumpet-style sleeve narrow at the top and wide at the bottom becoming popular in some areas. Most women dressed in multiple layers, with the wealthiest women wearing as many as five layers of clothing. The top layer, the kirtle, was a tight bodice finished with a long, flowing skirt.
Kirtles tended to be adorned with elaborate embroidery, often in silver or gold thread, and precious gems like sapphires and pearls. Lower-class women wore less-elaborate dresses, in the same silhouette, but with fewer layers and less ornamentation.
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